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1978, in a small village called Zalava, villagers claim that a demon is among them. A young sergeant who investigates this claim encounters an exorcist attempting to evict the demon from the village. He arrests the exorcist on charges of fraud but suddenly finds himself stuck in a cursed house with his lover. The villagers who believe they are both possessed by the demon, decide to shoot them.
Director: Arsalan Amiri
Producers: Rouhollah Baradari- Samira Baradari
Co-Producer: Ruth Yoshie Linton
Associate Producer:Mehdi Badrlou
Director Advisor: Ida Panahandeh
Writers:Ida Panahandeh-Arsalan Amiri-Tahmineh Bahram
Screenplay Plot: Arsalan Amiri-Houman Fazel
Director of Photography:Mohammad Rasouli
Sound Recording: Rashid Daneshmand
Sound Mixer: Amir Hossein Ghasemi
First Assistant Director:Ali Mardaneh
First Assistant DOP:Ahmad Kavousi
Production Manager:Amir Eskandari
Art Director: Mohammad Reza Shojaie
Set and Costume Designer: M. Hossein Karami
Make-Up Artist: Abbas Abbasi
Photographer: Mohammad Badrlou
Unit Publicist: Aida Orang
Graphic: Samira Amiri
Music: Ramin Kousha
Edit: Emad Khodabakhsh
Poster Designer: Mohammad Hosein Houshmandi
Credit Designer: M. Amin Toroghi
English Translator: Sanam Kalantari
Subtitles: Reza Tariverdi
Cast:
Navid Pourfaraj
Pouria Rahimi Sam
Hoda Zeinolabedin
Baset Rezaei
Shaho Rostami
Fereydoun Hamedi
Director's
Biography
Arsalan Amiri, born in 1975 in Iranian Kurdistan, studied filmmaking at the Iranian Youth Cinema Society in Sanandaj-Kurdistan in 1995. He then obtained his BA in Film Directing from Tehran Art University, and his MA in Dramatic Literature from the University of Tehran. He started his filming career by directing, producing, and editing documentary films. Amiri worked as a screenwriter and editor for a number of TV Movies for Iran's National Broadcasting Corporation (IRIB). These include The The Story of Davood and the Dove (2011), a film produced by Kianoush Ayari and directed by Ida Panahandeh. Amiri's first feature film working as both co-screenwriter and editor was Nahid (2015), a film directed by Ida Panahandeh that was nominated for best screenplay in Iran's Fajr International Film Festival (FIFF). Nahid was also screened in the Un Certain Regard section at the 2015 Cannes Film Festival, where it was awarded with the Prix de l'avenir. Villa Dwellers (2017), directed by Munir Gheidi, was his second movie as a screenwriter, which earned him a nomination for best screenplay in 2017's Fajr Film Festival. This was followed by Israfil (2017), his third film working as co-screenwriter, which was directed by Ida Panahandeh and screened in the BFI London Film Festival in the same year. Later on, He worked again with Ida Panahandeh as a co-screenwriter and editor in The Nikaidos' Fall (2018), which filmed in Japan. His cooperation with Ida Panahandeh continued in Titi (2020), which was screened in the 33rd Tokyo International Film Festival. Amiri made his directorial debut in Zalava (2021), a film that was shot during the Corona Pandemic in a village near Sanandaj-Kurdistan. Zalava garnered nominations in 10 sections in Fajr Film Festival in 2021, and won Best First Feature Director, Best Script, Best Supporting Actor, and special mention for its photography.
Director's
Note
Zalava is my first feature film. My goal was to make a film that represents me; a portrayal of my childhood, my region, and overall lived experience as an Iranian Kurdish minority. Someone who was born from parents with two different Islamic denominations: Sunni and Shiite. I remember my grandfathers who were poles apart. One was a simple religious man who believed in the world after death, and the other was a materialist epicurean who was satisfied with earthly treasures. When my religious grandfather told me about Jinn (genie) for the first time, my dilemma began.
As a little boy, I questioned the existence of this supernatural invisible creature made from fire, but did not have the courage to speak up about it. Eventually, I forced myself to believe, because I did not want to be punished by genies in the middle of the night. I outgrew these stories and my fears. Years later, as I searched for a unique story for my first feature film, my dad shared a story about one of my ancestors who enslaved a genie by attaching a pin to his clothes! It was pure magical realism and surprisingly my father believed it. At that moment, I knew I found my film. With a theme of "belief" that would not let me go from childhood until now. The moment I understood we are nothing but what we believe, or what we choose to believe. Meanwhile, we must sometimes look back at our values - to let doubt and uncertainty judge our rigid ideas. This way can lead us to a better life, or maybe a tragedy! And tragedy is awareness.
2021
- Hybird /
- Colour /
- 93 min /
- Iran
Festivals
- 13th “London Kurdish” Film Festival/ London/ 2022
- 36th “Venice Critics' Week” Film Festival/ Italy/ 2021
- 46th “Toronto” International Film Festival/ Canada/ 2021/ ”Midnight Madness Section”
- 45th “SAO PAULO” International Film Festival/ Brazil/ 2021
- 8th “Duhok” International Film Festival/ Iraq/ 2021
- 30th “Philadelphia” International Film Festival/ Pennsylvania/ 2021
- 18th “Hong Kong” Intenational Film Festival/ China/ 2021
- 78th “Venice” International Film Festival/ Italy/ 2021
- 18th “Fantastic Fest” International Film Festival/ ”Next Wave Section”/ Texas/ 2021
- 39th “Fadjr” International Film Festival/ Tehran/ Iran/ 2021
Awards
· Winner of “Best First Director”, “Best Screenplay”, “ Best Actor Award by Poorya RahimiSam” and “Diploma of The Best Cinematography” at the 39th “Fadjr” International Film Festival/ Tehran/ Iran/ 2021
· Winner of “ Grand Prize” of the 36th Venice Film Critics’ Week/ Italy/ 2021
· Winner of “Fipresci of The Best Film Award” at the 78th Venice International Film Festival/ Italy/ 2021
· Winner of “ Best Film Award” at the 18th Fantastic Fest International Film Festival/ Next Wave Section/ Texas/ 2021
· Winner of “ Best Actor” at the 13th “London Kurdish” Film Festival/ London/ 2022